In Willful Subjects Sara Ahmed explores willfulness as a charge often made by some against others. One history of will is a history of attempts to eliminate willfulness from the will. Delving into philosophical and literary texts, Ahmed examines the relation between will and willfulness, ill will and good will, and the particular will and general will. Her reflections shed ligh...(展开全部)

Nomadic Subjects argues for a new kind of philosophical thinking, one that would include the insights of feminism and abandon the hegemonic mode that is conventionally adopted in high theory. Braidotti's personal, surprising, and lively prose insists on an integration of feminism in mainstream discourse. The essays explore problems that are central to current feminist debates ...(展开全部)

作者简介 罗西•布拉伊多蒂（1954— ），拥有意大利和澳大利亚双重国籍，索邦大学哲学博士，当代哲学家，女性主义理论家，欧洲女性研究的先驱。1988年以来任荷兰乌得勒支大学人文学院教授，筹建乌得勒支大学人文研究中心并担任主任至今。后筹建荷兰妇女研究院并担任首任主任（1995-2005）。为推动欧洲妇女问题研究，先后建立并担任两个欧洲大学校际网络机构的主任（1994-2005，1997-2005）：欧洲妇女研究网络，简称Noise，为欧盟苏格拉底项目一部分；欧洲妇女研究高级主题网络，简称Athena。个人主要研究方向：西方哲学和后现代女性主义。 译者简介 赵雅惠，深圳大学新闻传播学硕士，研究方向为法国哲学、后人类女性主义和精神分析。曾于中国科幻研究中心任青年储备人才。

Caspar Hare makes an original and compelling case for 'egocentric presentism', a view about the nature of first-person experience, about what happens when we see things from our own particular point of view. A natural thought about our first-person experience is that 'all and only the things of which I am aware are present to me'. Hare, however, goes one step further and claims...(展开全部)

The first famous transgender person in the United States, Christine Jorgensen, traveled to Denmark for gender reassignment surgery in 1952. Jorgensen became famous during the ascent of postwar dreams about the possibilities for technology to transform humanity and the world. In Mobile Subjects Aren Z. Aizura examines transgender narratives within global health and tourism econo...(展开全部)

Known in the West primarily through poorly subtitled films, Chinese martial arts fiction is one of the most iconic and yet the most understudied form of modern sinophone creativity. Current scholarship on the subject is characterized by three central assumptions that I will argue against in this book: first, that martial arts fiction is the representation of a bodily spectacle ...(展开全部)